Scriptiebank overzicht

This study reconstructs the creative writing pedagogy of Guido Gezelle at the Klein Seminarie
in Roeselare, drawing on both previous publications and previously unexplored student
exercises. These exercises are linked to Gezelle's debut poetry collection, Vlaemsche
Dichtoefeningen (1858), and other relevant primary sources. This thesis is divided into three
chapters, each addressing different facets of Gezelle's teaching methods to provide a
comprehensive understanding of his educational practices.
Chapter one presents a portrait of Guido Gezelle, emphasizing his youth and education,
which significantly influenced his teaching style. Gezelle's deep appreciation for nature, his
strong advocacy for the Flemish language, and his educational background were pivotal in
shaping his approach to creative writing teaching. His initial experiences as a teacher, coupled
with his relationship with Bp. Malou, who played a crucial role in Gezelle's life from the
beginning of his priesthood, are also discussed. Despite his preference to be a missionary in
England, Gezelle's dedication to teaching proved to be the catalyst for his dual vocation as a
poet and priest. His so-called particularistic stance on the Flemish language, his Catholic faith,
his accessible approach to poetry, and his close bonds with his students were fundamental to
his teaching practice.
Chapter two examines the broader educational context of the turbulent 19th century and
its implications for Gezelle's teaching environment. This chapter, along with the first,
addresses how the educational context at the Klein Seminarie influenced Gezelle's teaching.
The school's curriculum emphasized character and attitude formation inspired by humanistic
ideals. Gezelle's pedagogical approach balanced formal rigor with creative freedom,
emphasizing language and its musicality. His methods aimed to cultivate a deep appreciation
for the technical and aesthetic aspects of poetry among his students.
The third chapter offers a detailed analysis of the primary sources, including Gezelle's
Vlaemsche Dichtoefeningen and the various student exercises. These exercises, which cover a
wide range of topics such as alliteration, imitation, translation, current events, nature
descriptions, literary adaptations, and miracle stories, provide insights into Gezelle's teaching
methods. His pedagogical practices were advanced for their time, incorporating tailored
instruction, differentiated difficulty levels, feedback, and relevance to the students' lives.
In short, this study sheds light on Gezelle's creative writing pedagogy at the Klein
Seminarie, offering a nuanced understanding of his methods. While many questions remain
unanswered, this study provides an introductory framework on which future research can
build.

This study investigates whether creative writing exercises can enhance the appreciation of poetry
among senior secondary students. Addressing the decline in reading appreciation and reading
comprehension, and the increased emphasis on creativity, a comprehensive lesson series of three
lessons centred on the poetry of Guido Gezelle was designed. This series incorporated both traditional
and AI-supported creative writing activities, providing a modern twist to Gezelle’s historical methods.
Using a group pretest-posttest design, the study evaluated changes in students' appreciation towards
poetry. Initial surveys revealed low interest and appreciation for poetry. Posttest results indicated a
positive shift in students' enjoyment and valuation of poetry, suggesting that creative writing exercises
can foster a greater appreciation of literary arts. However, the impact on students' future reading
habits remains uncertain, highlighting the need for further long-term studies. The study underscores
the potential of integrating creative writing into the curriculum to address the dual challenges of
declining reading interest and the need for creative skill development. Further research is needed to
explore the lasting effects on students' reading behaviours and to refine the implementation of
creative writing exercises.

Hoe leven, denken en creëren we in onze huidige onstabiele tijden? Doorheen de velden van de landschapsarchitectuur en kunsten is deze scriptie een zoektocht naar hoe deze vraag bewuste en onbewuste keuzes over inhoud en structuur tijdens het creatieve proces kan beïnvloeden in deze velden.

A systematic and chronological overview of contemporary literature on horizontal organization (HO) is given; organizations with less hierarchy, more autonomy for the participants and tools for shared decision-making power: commons, cooperatives, participation/co-production and self-managing teams and organizations. This literature shows an evolution from 1900 towards an increasingly broad cultural understanding of organizations within the organizational sciences: at first the focus was only on the needs of the organization, nowadays a paradigm prevails that increasingly incorporates the needs of the participants and environmental factors.

Deze masterproef bestudeert de impact van literaire prijzen op vertalingen. Daarvoor wordt gekeken naar de Libris Literatuur Prijs, de Literatuurprijs van de Europese Unie en de Booker Prize.

Deze scriptie onderzoekt de verschillen tussen de sociale mediakanalen Instagram en TikTok. Welke content post een bedrijf het best op Instagram en welke op TikTok? Mag dit dezelfde content zijn of moet een bedrijf een duidelijk onderscheid maken tussen beide platformen? Deze content werd onderzocht op basis van beste aesthetic, tone of voice en inhoud voor elk van de twee platformen.

This thesis examines Okada Toshiki’s Ground and Floor and Time’s Journey from the perspective of
post- and nonhumanism, especially in the vein of those dead. Within the various strands of post- and
non-humanism, the focus is on ghosts, especially as described by Jacques Derrida - who coined the
term “hauntology” - and by Mark Fisher, who applied the term to his theory. Post- and nonhuman
philosophy have the potential to inspire creative, innovative and effective ways of re-thinking the
human that surpasses mere humanist self-hatred. By staging ghosts and drawing attention to
nonhuman others, Okada’s theatre fits within this project. I would like to propose that the ghost can
be used as a metaphor within a more fruitful post-anthropocentric worldview. This would be a
Hauntoloscene, a world in which we gain spirit by recontextualizing our relationship with what is not.
The figure of the ghost allows the past to be brought into the present.

STEM-onderwijs kennen we intussen allemaal, maar hoe zit het met STEAM? Hoe wordt STEAM vandaag de dag geïmplementeerd in het Vlaamse onderwijs? En wat is de meerwaarde van de A? In deze scriptie geven verschillende leerkrachten een zicht op de werking met STEAM in ons huidige scholenlandschap.

Deze masterproef onderzocht nieuwe mogelijkheden voor de differentiële diagnose van unipolaire majeure depressie en de bipolaire stoornis. Zowel optimalisaties als validaties van verschillende protocols werden uitgevoerd om de verzameling en analyse van perifere mononucleaire cellen en neuronale extracellulaire vesikels verder op punt te stellen. Hierbij lag de focus op het ontwikkelen van een nieuwe potentiële bron van biomerkers voor stemmingsstoornissen.

Onderzoek naar het gebruik van creatieve instappen in de eerste graad A-stroom dat resulteerde in het creëren van een website vol leuke inleidingen.

Once the boundaries between immanent existence and transcendence have been drawn, a typically modern undertaking, all we are left with is the sensible, whereas the supersensible becomes synonymous with the illusionary. This predicament does not have to be inherently problematic, at least from a religious point of view. For philosophy, however, it has often been understood in terms of a disaster, addressed with the ambiguous notion of nihilism. This is particularly true of post-Nietzschean philosophy, in which a holistic understanding of the notion of nihilism is often adopted to argue for the impossibility of both philosophy and transcendence. In this master’s thesis I investigate the relationship between nihilism, philosophy and transcendence as it came about in the philosophy of Karl Jaspers (1883–1969). This 20th century German thinker took great interest in the concern of the captivity of the immanence of thought and formulated creative answers to the question of transcendence after the alleged death of God. For Jaspers, the problem of nihilism was perennial to philosophy, and in the course of his life he devoted many pages to an attempt of overcoming it.
First, this thesis analyses the problem of nihilism on its own, in its pre-Nietzschean and Nietzschean manifestations, to come to terms with its alleged threat to philosophy. With regard to the vastness and richness of the notion, some topics are inevitably left out, such as the religious nihilism of Walter Benjamin and Gershom Scholem, or the extensive elaborations on nihilism in contemporary continental philosophy, for example on the divergence between the interpretations of Martin Heidegger and Emanuele Severino. Second, we turn to Jaspers’ own understanding of nihilism. Jaspers defined the nature and value of philosophy through its confrontation with nihilism, which, for him, represented a kind of anti-philosophy. Philosophy had to go through nihilism to become true philosophizing. Jaspers proposed an ingenious argument that separates nihilism from philosophy, existence from immanence and truth from knowledge. To make this case, we primarily turn to Jaspers’ Von der Wahrheit, Der philosophische Glaube and his books on Friedrich Nietzsche’s philosophy. In Nietzsche und das Christentum, for example, Jaspers argued that Nietzsche at times separated the figure of Jesus from Christianity. In this separation, Jaspers argued, a possible way of overcoming Nietzsche’s nihilism in a philosophy that originates in love was already made possible by the fundamental distinctions of Nietzsche’s own critique of Christianity, for example his dismissal of all contradictions.

Studie van het concept Cinematic Universe aan de hand van drie kernthema's: intertekstualiteit, transmedia storytelling en brand-building.

Deze thesis verkent de gebruiken van Moringa, een subtropische boomsoort, in Nicaragua. Het bekijkt de productiemethodes van de boom, de bladeren en afgeleide producten - poeder en concentraat -, maar ook de socio-economische factoren en de nutritionele waarde van deze producten.

Straatkinderen: het concept ontbonden.“We are not trash, we are people. Don’t let them take you down. You have talents and qualities .”Straatkinderen. U kunt er zich vast wel iets bij voorstellen, want veel van onze favoriete toeristische bestemmingen zitten er vol mee. Maar wie zijn nu juist de jongeren en kinderen die worden gelabeld als straatkinderen?Zijn het kinderen die fulltime op straat leven en die geen ouders of familieleden ter beschikking hebben om voor hen te zorgen? Of moeten we spreken van weeskinderen, thuislozen, kinderen in een straatsituatie en gedetacheerde kinderen?

Gouden humor in reclame“Humor in reclame is iets dat je heel erg serieus moet nemen”.“Heeft u wel eens goed gelachen om reclame?” Hoogstwaarschijnlijk wel. “Heeft u wel eens reclame weggezapt of doorgespoeld?” Dat is een zekerheid. Adverteerders hebben het vandaag de dag moeilijk om reclame tot bij de consument te brengen. Als dat al lukt, is het een kunst om de aandacht vast te houden. Humor is daartoe een veelgebruikt middel. Voor haar masterproef onderzocht Ellen Van Praet, alumni studente Meertalige Communicatie, het gebruik van humor in reclame.

In a time of growing health expenditures and inefficiencies, ageing populations, rise of chronic diseases, co-morbity and technical evolutions, there is a worldwide quest for performant, innovative and sustainable health systems that are, a.o.

Een competentieprofiel voor de professionele romanschrijver“Het is hetzelfde als het proberen vastpakken van water hé”(Koen Van Bockstal)Bestaat de ideale auteur? Kan een kwalitatieve schrijver in een reeks van vaardigheden beschreven worden? Kunnen uitgevers überhaupt een beeld schetsen van het soort schrijver dat zij zoeken? En stemmen de verschillende visies hierop met elkaar overeen? Deze vragen vormden het uitgangspunt van een onderzoek naar een competentieprofiel voor de professionele romanschrijver.

 
 Notre étude vise à analyser le discours typique du journalisme musical. Nous avons composé un corpus de chroniques d’album françaises et néerlandaises publiées dans les magazines de musique ‘Les Inrockuptibles’ et ‘Oor’ entre 2005 et 2009. Dans ce corpus, nous analyserons la figure de style de la métaphore. Les résultats de cette analyse seront présentés d’une manière contrastive.

Persartikel: TV is dood, lang leve TV !Deze uitspraak geeft goed aan welke tegenstrijdige sentimenten er heden ten dage leven in de audiovisuele sector. Aan de éne kant heb je de onheilsprofeten die geen toekomst meer zien voor televisie, aan de andere kant zijn er velen die menen dat het allemaal wel niet zo een vaart zal lopen en dat televisie ook in de toekomst een belangrijke bron van informatie en ontspanning zal blijven. Bewijzen voor de argumenten die de onheilsprofeten aandragen zijn zeldzaam. Overal ter wereld wordt er meer en meer TV gekeken.

 
This thesis describes how the social-ecological system around the Mara wetlands has changed during the previous five decades. These wetlands are mainly fed by the Mara River, which has its sources in the Kenyan Mau Escarpment. After flowing through two worldfamous wildlife parks (Serengeti and Maasai Mara), it continues in the downstream Tanzanian Mara wetlands and finally flows out in Lake Victoria.
The major focus of this thesis is on how the riparian Wakenye people in Northwest Tanzania have adapted their livelihoods to the changing context.