Tussen feest en verzet: Organisatie, structuur en betekenisgeving in de Belgische free party scene en freeteknocultuur

Pieter-Jan Nerinckx
Persbericht

'Niemand doet dat omdat het illegaal is, we doen dat omdat het niet anders kan’

Bibliografie

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Collette Tristan, Une identité collective: les free parties, Revue du MAUSS 1, nr. 19 (2002): 349-356. 55 KU LEUVEN FACULTEIT LETTEREN BLIJDE INKOMSTSTRAAT 21 BUS 3301 3000 LEUVEN, BELGIË Collin Matthew, Altered State: The Story of Ecstasy Culture and Acid House (Londen: Serpent’s Tail, 2009). Evans Kristin, Hunt Geoffrey e.a., Youth, drugs and nightlife (Abingdon: Routledge, 2010). Gelder Ken, Subcultures: Cultural Histories and Social Practices (New York: Routledge, 2007). Gelder Ken, The Subcultures Reader (Londen: Routledge, 2005). Giegas Anja, “Housemuziek in Vlaanderen”, uit Het zijn maar liedjes: handboek populaire muziekstudies, onder redactie van Gust De Meyer (Leuven: Garant, 1999). Gilroy Paul, “Between Afro-Centrism and Euro Centrism: Youth Culture and the Problem of Hybridity.” Young 1, nr. 2 (1993): 2-12. Goderlund Walter en Surlin Stuart, Mass Media and the Caribbean (New York: Gordon and Breach Science Publishers, 1990). 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Hutson Scott, “The Rave: Spiritual Healing in Modern Western Subcultures”, Anthropological Quarterly 73, nr. 1 (2000): 35-49. Keunen Gert, Pop!: een halve eeuw beweging (Leuven: Lannoo, 2002). 56 KU LEUVEN FACULTEIT LETTEREN BLIJDE INKOMSTSTRAAT 21 BUS 3301 3000 LEUVEN, BELGIË Jensen Sune Qvotrup, “Towards a neo-Birminghamian conception of subculture? History, challenges, and future potentials”, Journal of Youth Studies 21, nr.4 (2018): 405-421. John Henry, “UK Rave Culture and the Thatcherite Hegemony, 1988–94”, Cultural History 4, nr. 2 (2015): 162-186. McCaffrey Cathal, How Did Jamaican Sound System Culture Influence UK Freeparty Rave Culture? (University of Hertfordshire, Departement Audio Design, Bachelorproef, 2015). Maffesoli Michel, The Time of the Tribes: the Decline of Individualism in Mass Society (Londen: Sage, 1996). Martin Daniel, “Power play and party politics: The significance of raving”, Journal of Popular Culture 32, nr. 4 (1999): 77-99. McKay George, DiY Culture: Party & Protest in Nineties Britain (Londen: Verso, 1998). Mordecai Martin en Mordecai Pamela, Culture and Customs of Jamaica (Wesport: Greenwood Press, 2001). Muggleton David, review van Brooker Will, Inside Subculture: The Postmodern Meaning of Style (Oxford: Berg, 2000), International journal of cultural studies 4, nr.1 (2001): 111-113. Nerinckx Pieter-Jan, Rave On! De processen van betekenisgeving en identiteitsvorming in de Belgische clubcultuur tussen 1989 en 2005 (Leuven: KU Leuven Masterproef, 2021). Philippeth Art, “De pioniersklanken van R&S Records, een historisch en musicologisch onderzoek” (Masterproef Vrije Universiteit Brussel, Departement Letteren, 2015). Partridge Christopher, The Spiritual and the Revolutionary: Alternative Spirituality, British Free Festivals,and the Emergence of Rave Culture, Culture and religion 7, nr. 1 (2006): 41-60. 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Rill Bryan, “Rave, Communitas, and Embodied Idealism”, Music Therapy Today 7, nr. 3 (2006): 648-661. Schulman Norma, ”Conditions of their Own Making: An Intellectual History of the Centre for Contemporary Cultural Studies at the University of Birmingham”, Canadian Journal of Communication 18, nr. 1 (1993): 51-73. Smith-Lahrman Matthew, “Review van Sarah Thornton, Club Cultures: Music, Media and Subcultural Capital (Cambridge: Polity Press, 1995)” American Journal of Sociology 102, nr. 3 (1996): 927-928. Sommer Sally, “C’mon to my House: Underground House Dancing”, in Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader, onder redactie van Julie Malnig (Illinois: University of Illinois Press, 2009). St John Graham, “Sound System Nation: Jamaica”, Dancecult: Journal of Electronic Dance Music Culture 1, nr. 2 (2010): 94-104. Steinar Kvale, Interviews: An Introduction to Qualitative Research Interviewing (Thousand Oaks: Sage Publications, 1996). Straw Will, “Systems of articulation, logics of change: Communities and scenes in popular music”, Cultural Studies 5, nr. 3 (1991): 368-388. Sweetman Paul, “Structure, agency, subculture: The CCCS, resistance through rituals, and 'post-subcultural' studies”, Sociological Research Online 18, nr. 4 (2013): 227-228. Takahashi Melanie en Olaveson Tim, “Music, Dance and Raving Bodies: Raving as spirituality in the Central Canadian Rave Scene”, Journal of Ritual Studies 17, nr. 2 (2003): 72-96. Tom Ter Bogt en Rutger Engels, ““Partying” Hard: Party Style, Motives for and Effects of MDMA Use at Rave Parties”, Substance Use & Misuse 40, nr. 9-10 (2005): 1479-1502. Tessier Laurent, “Musiques et fêtes techno: l'exception franco-britannique des free parties”, Revue française de sociologie 44, nr. 1 (2003): 63-91. 58 KU LEUVEN FACULTEIT LETTEREN BLIJDE INKOMSTSTRAAT 21 BUS 3301 3000 LEUVEN, BELGIË Thornton Sarah, “The Logic of Subcultural Capital”, in The Subcultures Reader, onder redactie van Gelder Ken en Thornton Sarah (Londen: Routledge, 1997). Thornton Sarah, Club Cultures: Music, Media, and Subcultural Capital (Cambridge: Polity Press, 1995). Twigg Julia, “Clothing, age and the body: A critical review”, Ageing and Society 27, nr. 2 (2007): 285-305. Vandenhende Kristof, Belgian New Beat (België: Uitgeverij Belgian New Beat, 2018). Vlado Moskowitz David, Caribbean Popular Music: An Encyclopedia of reggae, Mento, Ska and Rocksteady (Westport: Greenwood Press, 2006). Vix Christophe, FÊTES LIBRES? une histoire du mouvement techno en France (1989-2004), Revue Vacarme 3, nr. 28 (2004): 30-34. Willis Paul, Profane Culture (Londen: Routledge, 1978). Online informatie ‘À Redon, une rave party pour Steve Maia Caniço tourne à l'affrontement’, Huffpost, 2021, geraadpleegd op 29 december 2022, https://www.huffingtonpost.fr/actualites/video/a-redon-une-rave-party-p…. ‘Belpop’, VRT MAX, Geraadpleegd op 18/12/2022, https://www.vrt.be/vrtnu/a-z/belpop/. “De stem van ‘De Nacht in Wacht’”, Het Depot, 2020, Geraadpleegd op 17 november 2020, https://www.hetdepot.be/concerten/de-stem-van-de-nacht-in-wacht-i-s-m-n…. Devillé Jozef, The Sound of Belgium, Youtube (België: 2012), https://www.youtube.com/watch?v=d8u2baCNCVo&t=2346s. Dorian Lynskey, ‘Castlemorton triggers the rave crackdown’, The Guardian, Online, https://www.theguardian.com/music/2011/jun/15/castlemorton-triggers-rav…. Drugstestservice, Jellinek, 2022, Geraadpleegd op 17 december 2022, https://www.jellinek.nl/preventie/horeca/drugs-test-service/. “History”, Popcorn Oldies, 2021, Geraadpleegd op 5 januari 2021,https://www.popcornoldies.be/html/framemain.htm. 59 KU LEUVEN FACULTEIT LETTEREN BLIJDE INKOMSTSTRAAT 21 BUS 3301 3000 LEUVEN, BELGIË ‘Home’, Safe ’n Sound, 2022, Geraadpleegd op 29 december 2022, https://safensound.be/. ‘Illegaal feest Ammerzoden beëindigd na oproep politie’, RTL Nieuws, Online, Geraadpleegd op 3 januari 2023, https://www.rtlnieuws.nl/nieuws/nederland/artikel/5349482/illegale-rave…. ‘Main arrachée lors d’une free-party à Redon : la plainte de la victime classée sans suite’, Le Parisien, 2022, Geraadpleegd op 29 december 2022, https://www.leparisien.fr/faits-divers/main-arrachee-lors-dune-free-par…. Mcgovern Paul, ‘Tales From Berlin: How my Mother got me into Berghain’, The Journiest, Online, https://www.journiest.com/tales-from-berlin-how-my-mother-got-me-into-b…. ‘Meer dan 2.000 mensen op illegale raveparty in de bronnen van Spontin’, Knack, Online, https://www.knack.be/nieuws/belgie/meer-dan-2-000-mensenop-illegale-rav…. Mullin Frankie, ‘How UK Ravers Raged Against the Ban’, VICE, Online, https://www.vice.com/en/article/vd8gbj/anti-rave-act protests-20th-anniversary-204. ‘Platendraaiers’, VRT MAX, Geraadpleegd op 18/12/2022, https://www.vrt.be/vrtnu/a-z/platendraaiers/. Robin Pront, Zillion, Bioscoop (België: 2022). ‘Those Were the Days’, VRT MAX, Geraadpleegd op 18/12/2022, https://www.vrt.be/vrtnu/a-z/those-were-thedays/. ‘Politie breekt illegale raveparty op in maisveld in Desteldonk: vijftigtal feestvierders krijgt boete van 250 euro’, Het Laatste Nieuws, Online, https://www.nieuwsblad.be/cnt/dmf20200920_93559997. Muzikale bronnen A Split-Second, Flesh, Vinyl, (België: Antler-Subway Records, 1986). Jones & Stephenson, Vinyl, The First Rebirth (Deurne: Bonzai Records, 1993). 60 KU LEUVEN FACULTEIT LETTEREN BLIJDE INKOMSTSTRAAT 21 BUS 3301 3000 LEUVEN, BELGIË Mondelinge onuitgegeven bronnen Robin en Jade (Kaas Soundsystem), persoonlijk interview, 10 juni 2022. Ronny en Jan, persoonlijk interview, 11 juni 2022. Tom en David (Boter Soundsystem), persoonlijk interview, 7 april 2022. Wout (Karnemelk Soundsystem), persoonlijk interview, 30 juni 2022. Foto’s Merckx Inti, free party (Onbekend: 3 november 2022). Merckx Inti, DJ op een free party (Onbekend: 17 april 2022). Merckx Inti, Mensen voor soundsystem (Onbekend: 1 oktober 2022). Nerinckx Pieter-Jan, flyer free party (Luik: 3 juli 2022).

Universiteit of Hogeschool
Master in de culturele studies
Publicatiejaar
2022
Promotor(en)
Jonas Rutgeerts
Kernwoorden
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