Belgium had a turbulent electronic music scene during the 1990s, with a free, extravagant club scene and rocksolid music production. Unfortunately, this changed with repressive government actions against allegedly high
drug consumption in nightclubs, Belgium's emerging electronic music festivals as competitors and increasingly
difficult, obtainable party licences. Clubs are disappearing as fast as they were established, but something new is
bubbling underground. As was the case earlier in Britain, France and the Netherlands, Belgian collectives are
holding parties in forests, squats, fields, industrial estates and abandoned office buildings. These illegal raves or
free parties are organised by soundsystem crews consisting of DJs, sound engineers, artists and music lovers. On
the basis of interviews with five organisers and two partygoers, this study attempts to gain an insight into how
these parties come about and what significance they acquire in the development of participants' individual and
collective identities.

De vormgeving van boek zoals we het vandaag kennen, werd grotendeels ontwikkeld in de vroege zestiende eeuw, toen drukkers nieuwe manieren zochten om hun boeken aantrekkelijk te maken. Deze scriptie onderzoekt hoe de vormgeving in deze periode veranderde aan de hand van de casus van één drukkers: de Antwerpenaar Joannes Grapheus.

Sinds de huidige Turkse regeerpartij, AKP, aan de macht kwam in 2002 is haar buitenlands beleid voorwerp geweest van discussie. Wat drijft de AKP in haar buitenlands beleid ten aanzien van de Arabische wereld? Op basis van een casestudie met vijf verschillende landen: Egypte, Syrië, Libië, Irak en Israël/Palestina wordt deze vraag onderzocht.