Het onderzoek en project stellen de vraag: ‘Hoe kan de praktijk van het vertellen en het verhalen vertellen worden verweven met culturele identiteit?’, met de nadruk op de thema’s migratie, erbij horen, identiteit en traditionele Turkse volkskunst van vertellen en weven. Het onderzoek, dat zich concentreert op Istanbul en zich richt op de thema’s migratie en ontheemding, geeft een korte geschiedenis van de stad. Elk woord waaruit de onderzoeksvraag bestaat, wordt afzonderlijk onderzocht op zijn betekenis binnen de context van de genoemde thema’s. De genoemde traditionele Turkse kunstvormen richten zich op de tradities van het weven en het vertellen van verhalen, waarbij voorbeelden worden gegeven van Turkse kunstenaars. De studie onderzoekt hoe verschillende kunstenaars deze sleutelwoorden en de genoemde thema’s hebben toegepast in hun eigen praktijk. Door voorbeelden te presenteren uit de praktijken van het weven en het vertellen van verhalen, biedt dit onderzoek een voorstel voor hoe de concepten migratie, erbij horen en identiteit kunnen worden aangepast van volkskunst naar hedendaagse praktijken. Verder wordt onderzocht hoe deze twee praktijken in het licht van deze sleutelwoorden en thema’s op elkaar kunnen inwerken. Met het eindwerk en de methodologie wordt een manier geboden om deze kunstvormen aan te passen aan de hedendaagse praktijk. Ten slotte wordt gesuggereerd dat de begrippen identiteit en erbij horen veranderlijk zijn en aan verandering onderhevig zijn, waardoor het individu wordt uitgenodigd om zijn of haar eigen gevoel van erbij horen in vraag te stellen.
Ak, A. (2020). Oruç Aruoba ve Haiku Şiiri. [Undergraduate thesis]. Çukurova
Üniversitesi Fen-Edebiyat Fakültesi. https://evvel.org/orucaruobahaikusiiriaysunak.pdf
Albers, Anni. (1959). On Designing. Wesleyan University Press.
Albers, Anni. (1974). On Weaving. Studio Vista.
Avcı, İ. (2001). İstanbul’un Tarihsel Gelişim Süreci İçinde Öne Çıkan Bir Öğe:Su. Türkiye
Mühendislik Haberleri
Aydemir, B. (2021). Gelenekselden Çağdaş Olana Türk Hikâye Anlatıcılığında Temel Motivasyonlar (Model Anlatıcılar Işığında). IBAD Sosyal Bilimler Dergisi
Bauman, Z. (2004). Identity, Conversations with Benedetto Vecchi. Polity Press
Berger, J., & Mohr, J. (1982). Another way of telling. New York: Vintage Books.
Borges, Jorge Luis. (1964). Labyrinths: Selected Stories & Other Writings. (Yates A. D, eds;
Irby E. J.). A New Directions Book
Boratav, P. N. (1963). Xvii Le “Tekerleme” Contribution À l’étude Typologique Et Stylistique
Du Conte Populaire Turc. Paris Imprimerie Nationale.
Canan. (2017). Heaven. [Exhibition]. Cananxcanan. http://www.cananxcanan.com/
Canan. (2019). Endearments Series. [Painting]. Cananxcanan. http://www.cananxcanan.com/
Canan. (2020). Falname Series. [Painting]. Cananxcanan. http://www.cananxcanan.com/
Canan. (n.d.). (Canan Senol). Cananxcanan. http://www.cananxcanan.com/
Cambridge Dictionary. (n.d.). Practice. In Dictionary Cambridge.org. Retrieved May 4, 2026,
from, https://dictionary.cambridge.org/dictionary/english/practice
Catskill Weaving School. (2023, October 17). Drop-in Weaving classes start tomorrow.
[Photograph]. Instagram https://www.instagram.com/catskill_weaving_school/p/Cyg8NlPRI1R/
Çatalhöyük Research Project. (n.d.). Life at Çatalhöyük. Çatalhöyük Research Project.
Retrieved April 18, 2026, from https://www.catalhoyuk.com/site/life
Derviş, P., Tanju, B., & Tanyeli, U. (Eds.). (2015). Becoming Istanbul. SALT.
de Zayas, Alfred. (2007, September 14). The Istanbul Pogrom of 6–7 September 1955 in the
Light of International Law. University of Toronto Press. https://utppublishing.com/doi/abs/10.3138/gsp.2.2.137
Duymaz, A. (2019). Tekerlemeler. Yapı Kredi Kültür Sanat Yayıncılık.
Ekman, M. (2009). The Memories of Space: An Architect Reading Aleida and Jan Assmann’s
Model of Cultural Memory in Connection with the National Gallery in Oslo. ADGD Conference, Nottingham Trent University.
Eraslan, C. (2026, April 29). Istanbul During the First World War Years. History of Istanbul.
https://istanbultarihi.ist/418-istanbul-during-the-first-world-war-years
Erol, E. (2023, January 13). You say “muhacir” and I say “mübadil”. The Lausanne Project.
https://thelausanneproject.com/2023/01/13/erol/
Eyüboğlu, R. B. (2003). Dol Karabakır Dol. Türkiye İş Bankası Kültür Yayınları
Eşref, B., Uğurlu, A., and Uğurlu, S.S. (2004). Kuzeybatı Anadolu (Avunya) Halı ve El Dokumaları
Envanteri 2003. TÜBA Kültür Envanteri Dergisi
Franny Capone. (n.d.). A Mother’s Discourse. Francesca Capone.
https://www.francescacapone.com/works
Gather Textiles. (2026, May 1). Weaving terms.
https://gathertextiles.com/pages/glossary-of-weaving-terms?srsltid=AfmB…
Industriemuseum Gent. (2025). Busra Weaving in the museum. [Photograph]
İlçin, İ. H., ve, Ayışığı, M. (2023). Balkan Savaşları Sırasında Muhacirlerin İstanbul’da Geçici
İskânları ve Karşılaştıkları Sorunlar. Fırat Üniversitesi Sosyal Bilimler Dergisi
Ingold, T. (2007). Lines: A Brief History. Routledge.
Kuzucu, Kemal. (n.d.). Chronology. History of Istanbul. Retrieved April 2, 2026, from
https://istanbultarihi.ist/chronology
Kılıç Karatay, S., and A. M. Çilingir. (2025). Kirkitli Dokuma Örnekleri İle Selçuklu Dönemi Mimari
Yapılarında Kullanılan Ortak Motifler Üzerine Bir İnceleme ‘‘Aksaray Sultanhanı, Ağzıkarahan ve Alayhan Hanları’. Atatürk Üniversitesi Yayınları
Kilisli, B. (2025a). Free association, connection of key words. [Collage]
Kilisli, B. (2025b). Weavings done in Pisa in 2025. [Photograph]
Kilisli, B. (2026a). Map of Istanbul showing the colours to be used in weaving. [Image].
Kilisli, B (2026b). The written story in two languages map of Istanbul. [Image]
Kilisli, B. (2026c). The written story in two languages written in concrete poetry. [Image]
Kilisli, B. (n.da.). Grandmother sitting on the corner of the bed, Bursa. [Photograph]
Kilisli, B. (n.db.). Hand embroidery. [Photograph]
Kilisli, B. (n.dc.). Photograph of ancestors from Bursa sitting on a bed. [Photograph]
Kilisli, B. (n.dd.). Photograph of the grandmother with her hand made two-piece. [Photograph]
Kilisli, B. (n.de.). Photograph of family in Bulgaria. [Photograph]
Kilisli, B. (n.df.). Photograph of family in Izmir. [Photograph]
Kilisli, B. (n.dg.). Photograph of family in Montenegro. [Photograph]
Kuzucu, Kemal. (n.d.). Chronology. History of Istanbul. Retrieved April 2, 2026, from
https://istanbultarihi.ist/chronology
Lambert, E. (2026, January 23). Çatalhöyük – The oldest textiles at the TRC. TRC Leiden.
https://www.trc-leiden.nl/trc/index.php/en/blog/1794-catalhoeyuek-the-o…
Lapeque_textiles [@lapeque_textiles]. (2025a, August 13). “Lee’s surrender (the orange piece in the background) is a quintessential American pattern [Photograph]. Instagram https://www.instagram.com/p/DNTHPQ0tj4T/
Lapeque_textiles [@lapeque_textiles]. (2025b, October 21). “Nursery rhymes transcribed into
cloth [Photograph]. Instagram. https://www.instagram.com/p/DQEpfAvDbv-/?img_index=1
Lapeque_textiles [@lapeque_textiles]. (2025c, May 27). “Last year I received a grant from
[Photograph]. Instagram. https://www.instagram.com/p/DKKdAQKNuFf/?img_index=1
Levantine Heritage. (n.d.) Balkan Wars. [Photograph] Levantine Heritage Foundation
https://www.levantineheritage.com/balkanwars.htm
Loophole Magazine [@loopholemagazine]. (2026, January 27). “#Interview Mekhitar
Garabedian’s work navigates [Photograph]. Instagram https://www.instagram.com/p/DUBZm5CiMmh/?img_index=1
MAK Museum Wien. (2016, October 12). Richard Sennett: Craftsmanship [Video]. YouTube.
https://www.youtube.com/watch?v=nIq4w9brxTk
Martinović, J. (2026, January 18). Mekhitar Garabedian: Language, Diaspora, and the
Politics of Margins. Loophole. https://loophole.art/articles/mekhitar-garabedian-interview?fbclid=PAdG…
Merriam-Webster. (n.d.). Concrete Poetry. In Merriam-Webster.com dictionary. Retrieved April 31, 2026, from https://www.merriam-webster.com/dictionary/concrete%20poetry
Merriam-Webster. (n.d.). Free Association. In Merriam-Webster.com dictionary. Retrieved March 4, 2026, from https://www.merriam-webster.com/dictionary/free%20association.
Malpas, J. (2012). Building memory: Ontology in architecture. Interstices: Journal of Architecture and Related Arts. 13, 11–21.
Nationale. (n.d.). FRANCESCA CAPONE // A Mother’s Discourse. [Photograph].
https://www.nationale.us/francesca-capone-a-mother-s-discourse-2024
Hoepli, U. (Ed.). (1910). Manuale Compositore di Tessuti Guida alla Formazione delle Armature Per Ogni Specie di Stoffe di Pietro Finchetti Professore nella R. Scuola di Setificio di Como. Ulrico Hoepli Editore-libraio della Real Casa Milano
Piri Reis. (1465-1555). Kitāb-ı Bahrīye [Manuscript]. The Walters Art Museum.
https://art.thewalters.org/object/W.658/
Romay, C. S. (n.d.). About. La pequeña Textiles. https://lapequenatextiles.com/about
Said, E. W. (2010). Şarkiyatçılık. Translated by Berna Ülner, Metis Yayınları.
Said, E. W. (1979). Orientalism. Vintage Books.
Salt Research Archive. (n.d.) Bir genç kız ve iki çocuk halı dokuma tezgâhında çalışırken - One young girl and two children working on loom. [Photograph]. Salt Research https://archives.saltresearch.org/handle/123456789/196952
Shafak, E. (2020). How to Stay Sane in an Age of Division. Wellcome Collection
Terry, P. (Ed.). (2020). The penguin book of Oulipo. Penguin Random House UK
Topkapı Museum. (n.d.). Ottoman Fashion: A Reflection of Society and Status. Retrieved May 1, 2026, from, https://topkapimuseum.com/blog/ottoman-fashion-a-reflection-of-society-…
The Met Museum. (n.d.a). Fragmentary Silk Velvet with Repeating Tiger-stripe and ‘Chintamani’
Design [Fabric]. The Met https://www.metmuseum.org/art/collection/search/445263
The Met Museum. (n.d.b). Textile with Large Chintamani Design.
https://www.metmuseum.org/art/collection/search/445249
TRT Belgesel. (2018, February 7). Hakkari’de Kilim Dokumak Yaşamın Bir Parçasıdır [Video].
YouTube. https://www.youtube.com/watch v=MuLXjXQHu8o&list=PLMExlwFvKaOu1r3etjZC8Jq9JIdqVnehU&index=46
TRT 2. (2024, April 24). Belkıs Balpınar Muasır 71. Bölüm. [Video]. YouTube.
https://www.youtube.com/watch v=Z5YgvqggsEk&list=PLMExlwFvKaOvkq40o1XZmUc0ko5NbrKi0&index=4