De schryverkes van Guido Gezelle: Gezelles creatief schrijfonderwijs aan het Klein Seminarie Roeselare
This study reconstructs the creative writing pedagogy of Guido Gezelle at the Klein Seminarie
in Roeselare, drawing on both previous publications and previously unexplored student
exercises. These exercises are linked to Gezelle's debut poetry collection, Vlaemsche
Dichtoefeningen (1858), and other relevant primary sources. This thesis is divided into three
chapters, each addressing different facets of Gezelle's teaching methods to provide a
comprehensive understanding of his educational practices.
Chapter one presents a portrait of Guido Gezelle, emphasizing his youth and education,
which significantly influenced his teaching style. Gezelle's deep appreciation for nature, his
strong advocacy for the Flemish language, and his educational background were pivotal in
shaping his approach to creative writing teaching. His initial experiences as a teacher, coupled
with his relationship with Bp. Malou, who played a crucial role in Gezelle's life from the
beginning of his priesthood, are also discussed. Despite his preference to be a missionary in
England, Gezelle's dedication to teaching proved to be the catalyst for his dual vocation as a
poet and priest. His so-called particularistic stance on the Flemish language, his Catholic faith,
his accessible approach to poetry, and his close bonds with his students were fundamental to
his teaching practice.
Chapter two examines the broader educational context of the turbulent 19th century and
its implications for Gezelle's teaching environment. This chapter, along with the first,
addresses how the educational context at the Klein Seminarie influenced Gezelle's teaching.
The school's curriculum emphasized character and attitude formation inspired by humanistic
ideals. Gezelle's pedagogical approach balanced formal rigor with creative freedom,
emphasizing language and its musicality. His methods aimed to cultivate a deep appreciation
for the technical and aesthetic aspects of poetry among his students.
The third chapter offers a detailed analysis of the primary sources, including Gezelle's
Vlaemsche Dichtoefeningen and the various student exercises. These exercises, which cover a
wide range of topics such as alliteration, imitation, translation, current events, nature
descriptions, literary adaptations, and miracle stories, provide insights into Gezelle's teaching
methods. His pedagogical practices were advanced for their time, incorporating tailored
instruction, differentiated difficulty levels, feedback, and relevance to the students' lives.
In short, this study sheds light on Gezelle's creative writing pedagogy at the Klein
Seminarie, offering a nuanced understanding of his methods. While many questions remain
unanswered, this study provides an introductory framework on which future research can
build.
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